Controlled Chaos: Parallèle Graphique Keeps Order in Their Wild Design House

The work of Parallèle Graphique might be described as controlled chaos. While some projects by the French studio are sparse and contained, others almost seem to go off the rails with beautiful, illustrative elements juxtaposed with custom typography, often confined in tight compositions.

Before joining forces, partners Marceau Truffaut, Chloé Plassart, and Thomas D’Addario collaborated on BimBaam!, a showcase of their personal work with comments from like-minded creatives. In 2014 this partnership blossomed into a business because, as Trauffaut points out, “It can be very painful to make money and find clients on your own, so by collaborating we share a network of contacts and we’re able to do bigger, more interesting projects.” Read the rest of the article here.

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Hubert & Fischer on Pushing the Limits of Book Design

Operating out of studios more than 6,200 miles apart, partners Philipp Hubert (New York) and Sebastian Fischer (Stuttgart, Germany, but soon to be Berlin), of Hubert & Fischer (pictured above), have managed to create an enviable portfolio of exquisitely executed book designs, primarily featuring the work of artists, while subtly (or not so subtly) emphasizing the artists’ eccentricities on the page. They’ve garnered a bevy of awards for their editorial and type design from the Type Directors Club, Design Observer, from us at AIGA, and internationally from the Czech Republic, Japan, Germany, and Moscow. Read the rest here.

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