Business founded: 2012
Ryan Hamrick is a busy guy these days, doing hand-lettering projects for a range of clients. Fortunately, he’s carving time out of his schedule next month to teach The Business of HandLettering workshop with Roxy Prima and Joanna Munoz.
“My decision to become an independent designer full-time was probably about as random as it gets. I’d never worked in a primarily design capacity ever before, be it for a company, an agency, nothing. I also had no design or art schooling beyond the ‘Intro to Graphic Design’ and ‘Ancient and Medieval Art History’ classes I squeaked by in my first semester of community college (actually, I may have flunked the latter, now that I think about it),” he explains. Read the rest here.
Roxy Prima will be one of three instructors teaching “The Business of HandLettering,” for Modern Thrive next month. Here she tells us how she got started as a one-woman design/lettering/illustration shop, and how she keeps busy and promotes her work.
I started my business after a long time of being unsatisfied working full-time as a graphic designer in the media industry. I had always craved the freedom of working for myself, but it took me a long time before I felt like I could really take that leap. Once I decided that my goal would be to work for myself, I started taking on as many freelance projects as possible, while still working a full-time job. I would get up early to work before I went to my job, and after my eight hours, I would work well into the night and on weekends. Essentially I was working two full time jobs! It wasn’t easy, but the idea of eventually working for myself was a great motivator. Read the rest of her story, here.
An art director by day, and crafting letters by night, Joanna Munoz is burning the candle at both ends, and loving it.
“Wink & Wonder was originally created just for fun, as a way to get back into my love of illustration by making cute greeting cards. I got engaged not long after starting out and my work suddenly shifted towards calligraphy/lettering as I documented the process of creating stationery and signage for our wedding. Everything else just kind of fell into place from there,” Munoz says.”I stumbled across the Goodtype Instagram feed and was hooked. I felt like I struck gold finding a really great community to be a part of. Once my work was featured a few times, I started to receive freelance inquiries from clients who saw my stuff through various places online. Between that and word-of-mouth referrals, my business grew organically.”
She’s always loved lettering but it wasn’t until she bought the book Hand Job: A Catalog of Type by Michael Perry that she realized artists were mashing up drawing and type, and it hit a chord. “It’s as if someone opened a door to a whole new world for me,” she explains, adding, “Despite that ah-ha moment, I really had no idea what to do with hand-lettering or where to take it, but if you look at my very first Instagram posts, I still managed to (subconsciously) incorporate it into my work.”
Although Munoz still works full-time, she consistently shares and promotes her lettering work on Instagram. “A lot of where I am today I owe to GoodType, for not only promoting my work but also for keeping me inspired, especially when I’m in a creative rut. I’m especially drawn to artists who not only have insane raw talent, but who have really great conceptual ideas, pay attention to detail, and use their platform to share inspiring messages,” she says. Read the rest here.
Adriana Bergstrom (née Hernandez)
Santa Barbara, CA
Business founded: 2008
Adriana Bergstrom is a jack of many trades, as is evident in her business Adriprints, which sells fine art prints and knitting patterns. She also hand-crafts novelty fonts and sells them through MyFonts. She is a firm believer in the saying, “Don’t put all your eggs in one basket,” and she clearly practices this.
What was the impetus behind starting your business?
In 2008, right before the U.S. economy tanked, my long-time partner accepted a job in Germany. We eloped, sold what we had, and moved to Munich without either one of us ever having spoken a lick of German. I was in a new country with no way to support myself or contribute monetarily. If my previous life as a scenic artist and printmaker taught me anything, it was how to be resourceful. I was without any of the tools to do printmaking, so I started sketching letters and drawing letterforms, then it was just a matter of trial and error and getting each glyph to translate digitally. Afterward, I had to learn the font-making software (TypeTool).
The story behind the knitting patterns is pretty straightforward: I love knitting, and I wanted an object that didn’t exist anywhere except in my mind. I had already created a schematic, written the main idea for my own garment, and figured I might as well share it. So I learned to write patterns using the styles and conventions I observed in my favorite existing ones. Read the rest of the article here.
Annie Howe Papercuts
Business founded: 2010
Annie Howe has always loved playing with paper. She worked in community arts for many years, creating and contributing to the Baltimore art community with large-scale puppetry and shadow puppets. “As my love for storytelling grew through this large medium, I found my focus as an artist shifting from large 3D objects to that of the smaller more intimate medium of paper,” Howe says, adding, “I spent years and years using a simple knife and blades to cut out elaborate shadow puppets with an organization called Nana Projects. One Christmas I decided I could try cutting paper as gifts for family and friends. The papercuts were a hit and I slowly started making more.” Here she tells us how she transitioned from a part-time paper obsession to full-time gig.
What was the process of starting your business?
Encouraged by friends I started seeking out places to sell my work from local restaurants, to shops and craft shows. As I began showing my work, people took an interest and asked me to do commissions and special projects. I was still working full-time so it was a challenge to really grow and get things done in the beginning. It would take me forever to get projects complete. Then the organization I was working for closed, and I had to decide if I was going to apply for another full-time job or pursue papercutting.
The holiday season was approaching and I decided to try and make it through doing craft shows, retail, and custom work. By making more time for my work I was able to grow my business into a full time job! Read the rest of the interview here.