A local photographer found her passion at an early age, following in her mother’s footsteps.
Even before she was born, Christie Newell was destined to become a photographer. Forty years ago, her mother, Barb Primm, started a photography business in the basement of their family home, eventually moving into an old Victorian in Bartonville and calling it Sonshine Studio. As a child, Newell accompanied her mother on photo shoots, soaking up the trade and loving it.
She started working in the studio in high school, learning both the business and creative sides, and eventually shooting sessions with Primm. By the time she graduated, she was ready to pursue photography full-time. “My mom taught me the nuts and bolts, and after high school she sent me to conventions to learn more about the craft,” Newell explains.
She also pursued professional certifications through the Professional Photographers of America (PPA), a go-to resource for the industry with some 30,000 members. A Certified Professional Photographer, Newell holds a Master of Photography degree and a Craftsman degree from the organization. She serves on the American Society of Photographers Board of Directors and the International Photographic Competition Committee, in addition to teaching workshops and speaking at photography conventions. Read the rest of the article here.
It’s really no wonder that photographer Natalie Jackson O’Neal’s favorite subjects are musicians. “I grew up in a home constantly pulsating with many genres of musical rhythms,” she recalls. “Jazz has always been my favorite.”
Of course, it doesn’t hurt that two of her favorite people are well-known musicians—her father Preston Jackson plays jazz guitar, and husband Dexter O’Neal is a singer, guitarist and leader of the Funk Yard. But Natalie really honed her photographic chops as staff photographer for Good News magazine in Atlanta, where she was a regular at jazz clubs. Eventually, many of the musicians she photographed asked her to shoot their gig posters and CD covers.
Jazz vocalist René Marie made a particularly indelible impact on her, Natalie explains. “She was so soulful and strong, energetic and beautiful. She was a treat to shoot because she always gave so much to her audience—and you always captured something new and exciting.”
Natalie’s photographic jazz series, entitled “Straight, No Chaser,” is a visual soundtrack to the Thelonious Monk tune of the same name—“a nod to its fluidity and extreme unpredictability.” Each piece in the series is named after a different jazz number. Read the rest of the article here.
Any photographer will tell you that getting the perfect image is the result of being in the right place at the right time. Jim Burnham is no different, admitting that serendipity plays a major role in some of his best photographs.
His photograph “8 Seconds,” for instance, was a reaction to an unexpected change of scenery. He and some friends from the Peoria Camera Club had gathered one evening on the East Peoria riverfront to capture the supermoon behind the Peoria skyline. Not entirely satisfied with his shots, Burnham noticed something more dynamic was about to happen as the moon moved south. Grabbing his equipment, he raced to position himself up on Fondulac Drive overlooking I-74.
“Once up there, I had no more than five minutes to set up and take some extreme telephoto shots of the moon as it set over Bartonville, with the ADM plant and city lights in the foreground. It turned out to be the best of the bunch.” Read the rest of the article here.
When Raphael and Katie Couri Rodolfi purchased the F. Meyer Block Building on Adams Street in 2017, they acquired a little slice of Peoria history. Built in 1885 as Meyer Hardware, the structure has seen its share of tenants over nearly 135 years, weathering economies good and bad. Having set up their own ventures in the building—alongside a pair of other businesses—the Rodolfis are in it for the long haul.
The entrepreneurial couple has longed to open shop in Peoria, initially setting their sights on finding a location along West Main Street near their home. When they couldn’t find the right space for their needs, they expanded their search to the Warehouse District.
“We really liked everything that was happening down here. The city had redone the streets, making it more pedestrian-friendly. Sugar [Wood-Fired Bistro] was established and Zion [Coffee Bar] was moving in,” Katie recalls. “So all of that felt more like ‘city life.’ We lived in Chicago for a number of years, and Paris on and off, so we appreciate pedestrian-friendly cities and all the joy that can come with that.”
The addition of rehabbed loft apartments within walking distance—including Cooperage 214, Winkler Lofts and Persimmon Lofts—also sealed their resolve to put their roots downtown. Shortly after purchasing the building, Raphael moved his video production company, Videogenique, into one of the open office spaces. “The structure has a lot of character, which is 100 percent what we love about it,” he explains. While his large, open space on the first floor remains largely unchanged, he quickly went to work updating the other spaces to accommodate potential tenants. “We made mostly cosmetic changes like painting, tearing out old carpet and replacing acoustic ceiling tiles with metal tiles. It made a huge difference.”
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