HOW is pleased to kick off a new, inspirational series called “Design Links,” which, every other week, will feature three artists whose work is fresh, fun and stimulating. Each artist picks the next link—someone who personally inspires him/her. These links will likely take us around the world and show work in categories from graphic design, illustration, fine art, photography, printmaking and more. It will be a tour de force of creative inspiration and revelations.
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Anagrama: Beautifying Mexico One Boutique Brand at a Time
Handlettering Gymnastics
I’ve become obsessed with handlettering lately. It’s more prevalent than ever, appearing in advertisements, packaging, signage and more. With incredible detail and draughtsmanship at its finest, these artists are in high demand, giving each project a one-of-a-kind look.
The five artists featured here are forging new ground in the lettering category using a variety of materials and techniques to achieve stunning and sometimes surprising results. Read the rest here.
Why Sagmeister & Walsh Stays Small
Let’s face it, when most of us start our careers, we dream big, as in working at a big, fast-paced agency with high-profile clients, surrounded by other creatives.
That’s great and all, but some of the most successful graphic designers—including Sagmeister & Walsh—have purposely set their sights small to create big. In our November 2014 issue, HOW spoke with the principals of six design firms, each operating with five people or less, to find out what’s so great about maintaining a small studio—and how anyone can do the same.
Here, we learn why Sagmeister & Walsh stays small.
Let’s face it, when most of us start our careers, we dream big, as in working at a big, fast-paced agency with high-profile clients, surrounded by other creatives.
That’s great and all, but some of the most successful graphic designers—including Sagmeister & Walsh—have purposely set their sights small to create big. In our November 2014 issue, HOW spoke with the principals of six design firms, each operating with five people or less, to find out what’s so great about maintaining a small studio—and how anyone can do the same.
Here, we learn why Sagmeister & Walsh stays small.
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