Josh Friedland, aka Ruth Bourdain, on the Absurdities in Food Culture

In 2010, a new voice hit the Twitterverse, and had everyone guessing who it was. @RuthBourdain was born—a sardonic mash up of food critic Ruth Reichl and CNN’s Parts Unknown bad boy, Anthony Bourdain.

More than 66,000 people followed @RuthBourdain, as she delivered her ridiculously tawdry, yet chirpy Haikus, such as this gem: “The birds are louder than fuck this morning. Breakfast of black beans, tortillas, and salsa causing fragrant, ozone-destroying flatulence.” Still, no one knew “her” true identity, until the creator himself, food writer Josh Friedland, came out to The New York Times in 2013, much to his relief.

Here we talk to Friedland, creator of The Food Section and author of Comfort Me with Offal (as Ruth Bourdain) and Eatymology, about food terms, critics, and what it was like living in a paradoxical universe.

How did you come up with the idea to do a mash-up of Ruth Reichl and Anthony Bourdain?

I had been reading Ruth Reichl’s tweets — her haiku-like poems about breakfast in upstate New York and other meals — and I felt they were just asking to be spoofed. At the same time, Anthony Bourdain was broadcasting a short-run radio show on satellite radio where he read them on-air as beat poetry. I took the next logical step and combined their two personas into one scary gastronomical beast. Read the rest of the interview here.

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Edel Rodriguez Doesn’t Melt in the Face of Adversity

The political discourse in this country has been at a fervent pitch for months, up until the shocking outcome November 8. Political cartoonists and illustrators have been having a field day, but none more so than Edel Rodriguez who has created two of the most talked about cover images in recent times. As a Cuban immigrant he has a great appreciation for the artistic freedom he is allowed in America, and he has a lot to say in his work.

Rodriquez immigrated to the U.S. in 1980, when he was just nine years old. He studied art and design at Pratt Institute, where he graduated with honors. He then received a Masters of Fine Arts degree in painting from Hunter College. His illustrations have graced the covers of books and magazines like TIME, The Atlantic, The New Yorker, and more. In addition to his commercial work, Rodriguez’s fine art paintings voice human concerns, mortality, and cultural displacement.

Here, we talk to him about the influence art has played in his life and life work, and how visual ideas play out in the media. Read the interview here.

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Illustrations: Edel Rodriguez

Virginia Postrel on What Constitutes Glamour

Glamour is in the eye of the beholder … or is it? Unfortunately, we get a lot of our cues from celebrities, which in this day and age, can include anyone from rap stars and actors, to YouTube and reality television stars. Even our First Lady, deservedly so, is a style icon.

Here, we talk to Virginia Postrel, author of The Power of Glamour, The Substance of Style, and The Future and Its Enemies about our obsession and longing for glamour and what it all means. As an author, columnist, and popular speaker, her work spans a broad range of topics, from social science to fashion, concentrating on the intersection of culture and commerce. She has been a columnist for The Wall Street Journal, The Atlantic, The New York Times, and Forbes and its companion technology magazine Forbes ASAP. She is currently a regular columnist for Bloomberg.

Do you think the rules of glamour have changed over the years—i.e. what people perceive as glamorous compared to 20 or 30 years ago?

Definitely. What audiences find glamorous can change for two reasons: What people long for may change or different glamorous things may represent the same longings. One example I often use is the glamorous image of feminine indulgence. In the 1950s, nothing beat a fur coat. It represented an adoring man sharing his financial success: love and money in a publicly visible form. Nowadays, the common image of feminine indulgence is a hot-stone massage or maybe a bubble bath in a spa tub. Nobody needs to know you’re there—it’s not about keeping up with the Joneses—and you probably paid for it from your own income. It represents the desire to escape the demands of a busy life. (A lot of spa tubs and bathroom remodeling have been sold with this kind of glamour.) Read rest of interview here.

 

Moshik Nadav: Bringing Sexy Back to Type

Born and raised in Israel, Moshik Nadav has always had an affinity for letterforms and typography. He immersed himself in graphic design journals at a young age, admiring and studying the work of the masters. While still a student of graphic design, his type designs were gaining recognition by leading international design publications and major online typography and design blogs. By the time he graduated, he had already designed four typefaces.

Nadav established his design business, Moshik Nadav Typography, in 2009, serving a variety of international clients, and in 2013, he moved to New York City. His distinct style can be attributed to his love of fashion and his adoration of the female form. Just as a fashion designer must consider the drape of the fabric on a human figure, Nadav’s affinity for sleek lines and sexy curves are distinct characteristics of his typefaces, which include contrasting line strokes, and delicate, extended serifs that entwine and envelop each other. Every element in his unique letterforms is carefully considered as he bends and manipulates each shape and tendril, while respecting the rules of typography and readability. When an entire alphabet is finished, it’s like a new fashion line hitting the runway—each letter is unique on its own, but when seen as a family, it all works together and it’s undoubtedly Moshik Nadav.

Read the full interview with Nadav here, where he discusses his latest typeface, Lingerie.

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