Visual Jazz

It’s really no wonder that photographer Natalie Jackson O’Neal’s favorite subjects are musicians. “I grew up in a home constantly pulsating with many genres of musical rhythms,” she recalls. “Jazz has always been my favorite.”

Of course, it doesn’t hurt that two of her favorite people are well-known musicians—her father Preston Jackson plays jazz guitar, and husband Dexter O’Neal is a singer, guitarist and leader of the Funk Yard. But Natalie really honed her photographic chops as staff photographer for Good News magazine in Atlanta, where she was a regular at jazz clubs. Eventually, many of the musicians she photographed asked her to shoot their gig posters and CD covers.

Jazz vocalist René Marie made a particularly indelible impact on her, Natalie explains. “She was so soulful and strong, energetic and beautiful. She was a treat to shoot because she always gave so much to her audience—and you always captured something new and exciting.”

Natalie’s photographic jazz series, entitled “Straight, No Chaser,” is a visual soundtrack to the Thelonious Monk tune of the same name—“a nod to its fluidity and extreme unpredictability.” Each piece in the series is named after a different jazz number. Read the rest of the article here.

Capturing Moments in Time

Monarch by photographer Jim Burnham

Any photographer will tell you that getting the perfect image is the result of being in the right place at the right time. Jim Burnham is no different, admitting that serendipity plays a major role in some of his best photographs.

His photograph “8 Seconds,” for instance, was a reaction to an unexpected change of scenery. He and some friends from the Peoria Camera Club had gathered one evening on the East Peoria riverfront to capture the supermoon behind the Peoria skyline. Not entirely satisfied with his shots, Burnham noticed something more dynamic was about to happen as the moon moved south. Grabbing his equipment, he raced to position himself up on Fondulac Drive overlooking I-74.

“Once up there, I had no more than five minutes to set up and take some extreme telephoto shots of the moon as it set over Bartonville, with the ADM plant and city lights in the foreground. It turned out to be the best of the bunch.” Read the rest of the article here.